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A piece of set dressing like those featured in various Star Trek feature films and in episodic television. This large piece of smoked acrylic features orange and silver-colored, silkscreened details meant to denote some internal circuitry or perhaps representative of an ODN (Optical Data Network) relay. There are several small … |
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A lot of props and John Eaves concept sketch artwork duplicates created for the Star Trek: Deep Space Nine episode “Prodigal Daughter”. The lot consists of twenty white 11 X 17 inch paper duplicates, a ‘Director’s Plan’ consisting of eleven 11 X 17 inch paper duplicates indicating the sets used … |
| (Paramount TV, 1994-2001) Highly detailed black-painted molded resin with additional coloring. Used throughout the series, the weapon measures approx. 10 inches long. Original acquired from the show’s propmaker. |
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(Paramount, 1996) Illuminating Klingon P.A.D.D. with sliding cover. Measures 4 ½ in. x 2 in. Used in <em>Star Trek: First Contact</em>. |
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Four costumes, comprising: Captain Archer's duty Starfleet jumpsuit with black undershirt, shoulder patch, and loose rank pip pins; Mirror Archer's Starfleet jumpsuit with black undershirt, "skull and crossbones" Mirror <I>Enterprise</I> patch, shoulder boards, and decorative pins; Light brown jacket field; and a medieval-style costume (includes duplicate costume worn by stunt … |
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A purple insectoid-form spaceship model -- <I>27x30in.</I> -- designed by James Martin and used for visual effects in <I>Star Trek: Deep Space Nine</I> |
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A futuristic pedestal bed with monitor screen shell, resin and glass fiber, wood, and plastic construction, open area in monitor shell is designed for installation of an LCD computer screen [not included], mounted on wheeled rectangular base -- <I>84x61x42in.</I> -- originally made for <I>Star Trek: The Motion Picture</I>, later modified … |
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A visual effects model of a Klingon bird-of-prey spaceship's wing and wingtip cannon, the model of acrylic plastic, resin and styrene, painted Klingon green with red feather accents and extensive airbrushed weathering, featuring a more detailed version of the distinctive "falcon wing" feather panel pattern that is a signature of … |
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A costume element featured in various Star Trek feature films. A tan ‘off-duty’ blouse worn by Starfleet crew members; light t-shirt like material comprised of pants and a long sleeve blouse with a low cut neck and a waist tie. |
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A piece of set dressing similar to those featured in Star Trek feature films and episodic television. This item is the back “wall” piece of one of the Borg alcoves, metallic-pewter vacuform piece of a wood frame featuring metallic-silver colored tubing accents, further metallic-bronze colored accents, a central red area … |
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A costume featured in the Star Trek: The Next Generation episode “In Theory”; wherein “Data” (Brent Spiner) attempts a romantic relationship with a woman on the ship. This costume consists of a long-sleeved, purple, crushed-velvet gown/cloak featuring vertical pleats along the sleeves, a wide, purple and black design around the … |
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This carbine was featured in various episodes involving Andorian characters during the four year run of Star Trek: Enterprise like "The Andorian Incident". It is made from cast rubber and painted metallic blue. Measures approx. 17 x 7 x 3 inches. |
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Andorians could be said to have made things difficult for Vulcans more than our human heroes in Star Trek: Enterprise, but they appeared as antagonists frequently, then turned around and became allies to Starfleet. All of the actors portraying Andorians wore this type of white/blonde wig. It is fashioned to … |
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A smoked acrylic ‘computer interface' with a translucent application graphic on back made for Star Trek: Deep Space Nine in the Cardassian style. This would have been mounted into a base with a back light frame for the application to show up properly. Measures approx. 64 X 33 inches. |
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This eclectic prop from the set of Leonardo Da Vinci's workshop, is made of wood and even has the joints to move the fingers up and down. The index finger has been lost to time. Captain Janeway uses a holoprogram to visit the master himself, played by John Rhys-Davies. Da … |
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A molded foam rubber costume colored entirely blue featured in the Star Trek: The Next Generation episode “Times Arrow, Parts I and II”. The costume is made up of a pair of pants molded around spandex on suspenders, a similarly constructed top with a zippered seam that is covered by … |
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A metal clock encountered by an away team from “Voyager”, still active, after a major explosion that eliminated an entire species powering their society with dangerous polaric ion energy. The clock houses a centered countdown timer with nine digital number placements in a half moon shaped display while the underside … |
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“Loth” (David Sparrow) was the assumed identity of “The Doctor” (Robert Picardo) who was trying to free “Captain Janeway” (Kate Mulgrew). She was being held hostage by aliens using her as leverage in their attempt to steal the U.S.S. Voyager's warp core in the Star Trek: Voyager episode “Renaissance Man”. … |
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A costume accessory appearing in Star Trek VI: The Undiscovered Country for wear on Starfleet uniform jumpsuits worn by crewmen on the “USS Enterprise-A” and the “USS Excelsior”. The item is a sturdy acrylic badge with a pair of adhered pins with backs and an engraved name and border colored … |
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A costume made for Star Trek I: The Motion Picture for wear by Walter Koenig in his portrayal of “Lieutenant Chekov”. The item is trousers and a Class-C Starfleet jacket wrap with a black sleeveless undershirt. The wrap features affixed white division strips with embroidered gold bars indicating the wearer … |