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A costume featured in the finale of Star trek: Enterprise and the last piece of Star Trek episodic television filmed, “These are the Voyages…”; wherein “Commander Riker” (Jonathan Frakes) runs a holodeck program of the last voyage of the “Enterprise NX-01” before the charter for what would become the United … |
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A costume like those featured in nearly every episode of Star Trek: Voyager. This costume is a long-sleeved, full-length, black, Starfleet uniform jumpsuit featuring Sciences Blue division colors around the shoulders, form fitting black elastic and hoops at the waist for ‘away team gear’, a Velcro patch for a commbadge … |
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A costume featured in various episodes of Star Trek: Voyager and for wear by David Anderson as the recurring character of ‘Ensign Ashmore”. This costume is a black Starfleet uniform jumpsuit with Operations Gold division shoulders that zips up the front, clasps half way up the chest, and features a … |
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A costume featured in various episodes of Star Trek: Voyager for wear by Shepard Ross in the recurring role of “Ensign Murphy”. This costume is a black Starfleet uniform jumpsuit with Operations Gold division shoulders that zips up the front, clasps half way up the chest, and features a Velcro … |
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A prop knife believed to have been used by “Kellis” (Joseph Will) to free “B’Elanna Torres” (Roxann Dawson) from rope restraints in the Star Trek: Voyager episode “Muse”. The item is a machined metal knife fashioned to appear sharp with beveled edges and brown leather wrapping around the hand grip. … |
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A prop weapon appearing in the Star Trek: Voyager episode “Muse” for use by the guards to the warlord. The item is a prop metal gladius (sword) made to appear forged from bronze with a short hand grip that is wrapped in leather accents. The item is pointed by not … |
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A costume believed to have been featured in the Star Trek: Voyager episode “Muse”. This costume is an adaptation of the normal Starfleet uniform that it consists of a blue-gray, long-sleeved, undershirt sewn directly onto black uniform trousers but still including the hoops at the waist for ‘away team gear’ … |
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A lot of costume elements featured in both part of the “Future’s End”; wherein “Voyager” is sent back to the 20th century and finds that they must stop a man from that time from using a 29th century time-travelling ship to go into the future to acquire ‘new technologies’. The … |
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A large sized LCARS style console inset panel like those appearing variously in Star Trek episodic television. The item is a sheet of smoked acrylic with a multi-colored graphical application adhered to the reverse that depict multiple faux buttons, indicators, and readouts with a large attitude and pitch adjustment interface … |
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A metal provisional rank pin made for ‘Maquis' crewmembers who integrated into the Starfleet crew of “USS Voyager” following their displacement into the Delta Quadrant during the pilot episode of Star Trek: Voyager, “Caretaker”. This pin indicates the provisional rank of ‘ensign’ due to its molded single stripe. A slightly … |
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A costume created for use in the Star Trek: Voyager episode “Down Deep” which was later changed to “Thirty Days”. This costume was made for wear by one of the very rarely seen but oft mentioned “Delaney Sisters”, “Jenny Delaney” (Alissa Kramer) to be specific; a black Starfleet uniform jumpsuit … |
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A lot of schematics for sets featured in the premiere episode of Star Trek: Voyager “Caretaker”. These schematics include the ward room, int. array chamber, and int. enclave detail. These items feature information like the show name, stage, and production number, original date, set name, production and set designer on … |
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A lot of schematics for sets featured in the Star Trek: Voyager episode “Learning Curve” and “Initiations”. These schematics include general cargo bay detail, further detail for a false door, a Red Alert light, a schematic for changing a shuttle bay set into a cargo bay, and a ‘floating pallet’. … |
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A lot of two costumes featured in the Star Trek: Voyager episode “Time and Again”; “Captain Janeway” (Kate Mulgrew) and “Tom Paris” (Robert McNeill) are drawn back in time one day to prevent the planetary disaster they witness upon initial approach to the planet. This lot consists of two half-sleeve, … |
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A white foam core camera test model like those used in Star Trek: Voyager. The item is a representative of an “Intrepid-Class” starship and is composed of multiple sheets of fashioned white foam core with graphic photocopies applied to the dorsal side. The item is believed to have been used … |
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A costume accessory like those appearing in the Star Trek: Voyager episode “Nightingale” for wear by officers on the Kraylor ship set. Te item is a vinyl costume harness with metallic painted accents and clasps. The item was associated with costume jackets like those used by Kazon Pommar characters in … |
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A lot of seven patches belonging on the Quarren uniforms from the Star Trek: Voyager two-part episode “Workforce”; wherein most of the crew of “Voyager” are kidnapped, altered, have their minds erased and are put to work in a huge industrial complex. These items are patches of various sizes and … |
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A pair of skates featured in the Star Trek: Voyager episode “Critical Care” for wear by Garrett Wang as “Ensign Harry Kim”. These items are made of dark-gray suede, a plastic reinforcement casing around the shoe, a metal ‘screen’ and accents along the top of the foot, a nylon strap … |
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A piece of abstract modern art created with a medium of stoneware clay with airbrushed acrylic paint while utilizing wire accents. Wall artwork like this appeared frequently in episodes of Star Trek: The Next Generation and Star Trek: Voyager in crew quarters as set dressing artwork. The item is made … |
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A costume featured in the premiere episode of Star Trek: Voyager, “Caretaker”. This costume is that of one of the prisoners of the penal colony in New Zealand where “Tom Paris” (Robert Duncan McNeill) was being detained and consists of a long-sleeved, full-length, mauve jumpsuit featuring darker accents across the … |
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A lot of costume elements featured in various episodes of Star Trek: Enterprise and or Voyager for wear by such actors as Vaughn Armstrong, Mark Ralston, and even J.G. Hertzler. This lot consists of knee-high, painted brown, leather and vinyl boots with flat soles, horned toes, metallic silver painted reinforcements … |
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A costume featured in the Star Trek: Voyager episode “Warlord”; wherein the consciousness of a tyrant named “Tiernan” (Leigh McCloskey) is transferred to “Kes” (Jennifer Lien) and begins to unlock her hidden mental powers. This costume is that of the Ilari woman “Nori” who was the spouse of “Tiernan” before … |
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A costume featured in the Star Trek: Voyager episode “Muse”; wherein “B’Elanna Torres” (Roxann Dawson) crash lands on a planet at a technological level analogous to ancient Greece and unknowingly, at first, becomes the muse for a playwright trying to diffuse a possible war. This costume is that of “Jero” … |
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A costume featured in the Star Trek: Voyager episode “Nemesis”, wherein “Commander Chakotay” is taken, brainwashed, and used as a soldier in one race's genocidal war against another. The costume consists of yellow tank top with camouflaged fishnet sewn onto it, matching trousers with same the fishnet, functional pockets, several … |
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A special effects make-up item created for episodes of Star Trek: Voyager to create the character of “B’Elanna Torres” (Roxann Dawson). The item is a molded foam rubber Klingon forehead with subdued ridges to emphasize the half-human/half-Klingon hybrid of the character. In perfect unused condition, the item is supple, with … |